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All of my lenses are of the original series. Later on Bronica introduced an improved line and called it the PS series. The original lenses for the SQ are called the S series. I've used both without problems for several months, but the last two times I used both, the developed film from the SQ-Ai back showed some sort of light leak on every frame.

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This new placement of the dial is especially helpful when using the prism VF because it renders the dial on the original back almost completely inaccessible.įor photos taken with this camera look here. I have a Bronica SQ-B with its original 120 back, plus an extra 120 back for an SQ-Ai.

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But when the SQ-Ai was released it came with an improved back that has the ISO dial on the back where it is easily accessible, and it also includes an EV comp dial. The original SQ back had the ISO dial on the top, like you can see in the photo of the 645 back below. And speaking of film backs, there are a couple of different designs. You can also shoot 6×4.5 photos with this body if you use the appropriate film back. I mostly use this one handheld, and absolutely love taking square photos probably largely under the influence of my Dad, who shot 6×6 almost exclusively from 1956 to 1963 and left behind a treasure of well preserved and well organized black and white negatives. It’s bigger than the ETR but not all that much different in practical use.

The first model of this line, the SQ, was released in 1980. This is the SQ-A, the second of five versions of the 6×6 camera that takes square photos and was released in 1982. ‘Craft’ is certainly the right word to use here.After many years and many models of modular medium format SLR cameras based on focal plane shutters, the last three SLR models made by Bronica were all based on lens shutters, with several versions of each one. Otherwise elements are in good condition. It is a rather snobbish cliché to say that this is ‘real’ photography but once you shoot with a camera like this you will understand what I mean. Zenza Bronica SQ-Ai + 80mm f2.8 Zenzanon-PS + SQ-i 6圆 120 Roll Film Back + Waist Level Finder Lens rear element has two hairline scratches, which has no affect on image quality. When there are only twelve shots on a roll, it really focusses your mind to shoot as well as you can. Having to really slow down even more than 35mm film and take your time to really craft and compose images is genuinely relaxing and very satisfying. Overall, despite the cameras (and my) shortcomings it really is a joy to use. I will talk about that in more detail in a future blog.

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One of the most popular ones is a paid one called NegativeLabPro but I have been trying a free plugin for Photoshop called Grain2Pixel. There were never any chrome metal finders, though most of the pre-1981 finders seem to have been black painted metal. Bronica made chrome ETR and ETRS bodies, along with chrome 120, 220, and 70mm backs probably until 1981 when they switched from metal body panels to polycarbonate.

Bronica sq ai 120 back software#

Due to this I am experimenting with software on my computer to do this instead. Since introduction, the ETR series has been produced in chrome. With a different aspect ratio, I cannot fill the frame when scanning with my D850 which can result in funny colour casts when using the built-in inverting software (though not on B&W images).

The backs contain a ISO speed dial setting that is coupled. An interchangeable back system was incorporated that uses 120 or 220 film backs. The lens system has a Seiko manufactured electronic shutter with speed of 8 seconds to 1/500 second. Beyond that the only other difficulty has been scanning the negatives into positive images. The Bronica SQ-A is a 6圆 medium format SLR camera that uses a leaf shutte design.

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